Vaclav Havel, Czech playwright and former president, will direct his first movie based on his most recent play, 'Leaving'. His first new script in twenty years, the story is about a politician's adjustment to normal life after leaving politics. Sources predict his wife, Dagmar, for whom he wrote the script, will play the female lead. The play premiered in May 2008 at the Archa Theatre in Prague.
Showing posts with label Czech Republic. Show all posts
Showing posts with label Czech Republic. Show all posts
Friday, June 26, 2009
Thursday, November 13, 2008
Sunday, October 19, 2008
International Visegrad Fund
The International Visegrad Fund supports projects in the fields of cultural cooperation, scientific exchange and research, education, exchanges between young people, cross-border cooperation and promotion of tourism. It is open to projects thematically related to Visegrad cooperation (Hungary, Poland, Czech Republic & Slovakia).
The maximum contribution of the Fund allocated to each Small Grant project is up to EUR 4,000. The financial contribution of the Fund cannot exceed 50% of the total project costs including the in-kind contribution of the applicant, or in-kind contributions of other co-financing subjects. The maximum time frame of the proposed budget is 6 months, even if the project is envisaged to last longer.
When considering funding, the Fund will prefer those projects that will involve partners (co-organizers) from all V4 countries (with the exception of the Cross-border projects). The Fund will not support projects in which less than three of the V4 countries are involved, except for projects within the cross-border cooperation. (Within the cross-border cooperation, partners from 2 V4 countries are sufficient.) The Fund may also fund projects proposed by (or implemented in cooperation with) an entity outside of V4 countries, provided that such projects are in compliance with the objectives of the Fund. Applicants from non-Visegrad countries can apply for Small Grants under the same conditions, but the project must be thematically related to Visegrad cooperation.
Annual budget: EUR 512,000
Deadlines: 1 March, 1 June, 1 September and 1 December.
Applications for the Small Grants must be submitted through the on-line application system.
The maximum contribution of the Fund allocated to each Small Grant project is up to EUR 4,000. The financial contribution of the Fund cannot exceed 50% of the total project costs including the in-kind contribution of the applicant, or in-kind contributions of other co-financing subjects. The maximum time frame of the proposed budget is 6 months, even if the project is envisaged to last longer.
When considering funding, the Fund will prefer those projects that will involve partners (co-organizers) from all V4 countries (with the exception of the Cross-border projects). The Fund will not support projects in which less than three of the V4 countries are involved, except for projects within the cross-border cooperation. (Within the cross-border cooperation, partners from 2 V4 countries are sufficient.) The Fund may also fund projects proposed by (or implemented in cooperation with) an entity outside of V4 countries, provided that such projects are in compliance with the objectives of the Fund. Applicants from non-Visegrad countries can apply for Small Grants under the same conditions, but the project must be thematically related to Visegrad cooperation.
Annual budget: EUR 512,000
Deadlines: 1 March, 1 June, 1 September and 1 December.
Applications for the Small Grants must be submitted through the on-line application system.
Sunday, September 14, 2008
Will Playwright Havel Outlast President Havel?
David Caute, writing for the 'New Statesman', asks if Czech playwright/president, Vaclav Havel’s artistic vision has survived the compromises of executive power? Below are some excerpts. Read the full article here.
“It seemed out of the question for Václav Havel to become president of Czechoslovakia after 40 years of Communist rule. The long-haired playwright had been just a persistent dissident voice, if one making some of the most eloquent minority demands for civil liberties, notably Charter 77. Everything changed when the new Civic Forum of November 1989 brought crowds to Wenceslas Square unanswerably demanding freedom from a collapsing Soviet empire. In the course of this "Velvet Revolution", the mild-mannered Havel found himself the astonished occupant of Hradcany Castle in Prague, high above the Vltava River. No flash in the pan and no mere figurehead, he liked the job enough to retain it for 13 years. Globally feted, though not always popular at home, he was loaded with do-good prizes and hailed by a joint session of the US Congress.
Now Havel is back as a playwright. Can the artist survive the blatant compromises of executive power? The focal character of his new play, 'Leaving', is a deposed leader coming to terms with a melancholic void after losing the status inseparable from his sense of himself...In the new play, there are no Vaneks. Power and wealth have taken their toll. All the main characters are loquacious, burdened by swollen egos, by pride, by vanity. But Havel makes light of it - this is a comedy leaning towards tragedy via farce. Take, for instance, the torrent of deliberate anachronisms. The script offers no time setting but we may assume that the pivotal figure, Vilém Rieger, has only recently stepped down as 'chancellor'. This is reinforced by his recall of something Tony Blair said to him, and President Havel himself once told him that 'popularity isn't everything' - yet Rieger pitches into wild anachronism when recalling how Chiang Kai-shek was impressed by his policy speeches and how Mao Zedong admired Rieger's bust of Gandhi 'when he came to visit'. Amusing enough if you know your dates, but isn't the teasing Havel waiting to see if we do? The teasing also extends to frequent voice-over authorial interventions (recorded recently by Havel in Prague), during which the actors are required to freeze. At one juncture, the Voice mentions 'my somewhat self-centred delight in being able to come up with any hare-brained idea at all, which the actors have to play with a straight face'.”
“It seemed out of the question for Václav Havel to become president of Czechoslovakia after 40 years of Communist rule. The long-haired playwright had been just a persistent dissident voice, if one making some of the most eloquent minority demands for civil liberties, notably Charter 77. Everything changed when the new Civic Forum of November 1989 brought crowds to Wenceslas Square unanswerably demanding freedom from a collapsing Soviet empire. In the course of this "Velvet Revolution", the mild-mannered Havel found himself the astonished occupant of Hradcany Castle in Prague, high above the Vltava River. No flash in the pan and no mere figurehead, he liked the job enough to retain it for 13 years. Globally feted, though not always popular at home, he was loaded with do-good prizes and hailed by a joint session of the US Congress.
Now Havel is back as a playwright. Can the artist survive the blatant compromises of executive power? The focal character of his new play, 'Leaving', is a deposed leader coming to terms with a melancholic void after losing the status inseparable from his sense of himself...In the new play, there are no Vaneks. Power and wealth have taken their toll. All the main characters are loquacious, burdened by swollen egos, by pride, by vanity. But Havel makes light of it - this is a comedy leaning towards tragedy via farce. Take, for instance, the torrent of deliberate anachronisms. The script offers no time setting but we may assume that the pivotal figure, Vilém Rieger, has only recently stepped down as 'chancellor'. This is reinforced by his recall of something Tony Blair said to him, and President Havel himself once told him that 'popularity isn't everything' - yet Rieger pitches into wild anachronism when recalling how Chiang Kai-shek was impressed by his policy speeches and how Mao Zedong admired Rieger's bust of Gandhi 'when he came to visit'. Amusing enough if you know your dates, but isn't the teasing Havel waiting to see if we do? The teasing also extends to frequent voice-over authorial interventions (recorded recently by Havel in Prague), during which the actors are required to freeze. At one juncture, the Voice mentions 'my somewhat self-centred delight in being able to come up with any hare-brained idea at all, which the actors have to play with a straight face'.”
Tuesday, August 26, 2008
International Visegrad Fund
The International Visegrad Fund supports projects in the fields of cultural cooperation, scientific exchange and research, education, exchanges between young people, cross-border cooperation and promotion of tourism. It is open to projects thematically related to Visegrad cooperation (Hungary, Poland, Czech Republic & Slovakia).
The maximum contribution of the Fund allocated to each Small Grant project is up to EUR 4,000. The financial contribution of the Fund cannot exceed 50% of the total project costs including the in-kind contribution of the applicant, or in-kind contributions of other co-financing subjects. The maximum time frame of the proposed budget is 6 months, even if the project is envisaged to last longer.
When considering funding, the Fund will prefer those projects that will involve partners (co-organizers) from all V4 countries (with the exception of the Cross-border projects). The Fund will not support projects in which less than three of the V4 countries are involved, except for projects within the cross-border cooperation. (Within the cross-border cooperation, partners from 2 V4 countries are sufficient.) The Fund may also fund projects proposed by (or implemented in cooperation with) an entity outside of V4 countries, provided that such projects are in compliance with the objectives of the Fund. Applicants from non-Visegrad countries can apply for Small Grants under the same conditions, but the project must be thematically related to Visegrad cooperation.
Annual budget: EUR 512,000
Deadlines: 1 March, 1 June, 1 September and 1 December
Applications for the Small Grants must be submitted through the on-line application system here.
The maximum contribution of the Fund allocated to each Small Grant project is up to EUR 4,000. The financial contribution of the Fund cannot exceed 50% of the total project costs including the in-kind contribution of the applicant, or in-kind contributions of other co-financing subjects. The maximum time frame of the proposed budget is 6 months, even if the project is envisaged to last longer.
When considering funding, the Fund will prefer those projects that will involve partners (co-organizers) from all V4 countries (with the exception of the Cross-border projects). The Fund will not support projects in which less than three of the V4 countries are involved, except for projects within the cross-border cooperation. (Within the cross-border cooperation, partners from 2 V4 countries are sufficient.) The Fund may also fund projects proposed by (or implemented in cooperation with) an entity outside of V4 countries, provided that such projects are in compliance with the objectives of the Fund. Applicants from non-Visegrad countries can apply for Small Grants under the same conditions, but the project must be thematically related to Visegrad cooperation.
Annual budget: EUR 512,000
Deadlines: 1 March, 1 June, 1 September and 1 December
Applications for the Small Grants must be submitted through the on-line application system here.
Wednesday, July 30, 2008
Havel's Meditation on Art and Power
Check out the Saturday profile in the NYTimes on Vaclav Havel here. It's discusses his semi-autobiographical, King Lear-esque play called Leaving. And what, if anything, disappoints Mr. Havel about the state of contemporary capitalist culture? “I do not like the ads on the shirts of hockey or football players,” he said. “You’d think Coca-Cola is playing against Pepsi-Cola.”
Tuesday, May 27, 2008
‘Leaving’ Marks Havel’s Return
This weekend commemorated Václav Havel’s return, after nearly two decades, to the Czech stage with his new play Odchazeni (Leaving). Touted as Europe's most eagerly awaited theatre event of the year, Havel, who served as the Czech Republic’s president from 1989-2003, was typically low-key and did not make any grand speeches. Instead, the audience at Prague's Archa theatre heard recordings of the distinct gravelly voice of Havel interrupting the drama at regular intervals. Click here for a print article and audio.
Sunday, April 13, 2008
Prague's Arts Funding Crisis
The current trend of funding cuts continues around the globe. This time it’s Prague. Not-for-Profit arts organizations have never had an easy relationship with City Hall, but after months of waiting for delayed grants, arts groups were shocked to discover that they were receiving less money, if any at all. Arts groups (pictured) have started a petition and protest, calling for the resignation of certain city officials and proposing drastic policy changes. Click here to read more from 'The Prague Post'.
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