Tuesday, November 24, 2009
Monday, November 23, 2009
Tuesday, October 20, 2009
Tuesday, July 28, 2009
The Internationalists is proud to welcome Teatro Punto (Carlos Garcia Estevez and Katrien van Beurden) to New York to host a Modern Commedia dell’ Arte workshop and performance on August 5th and 6th, 2009.
Contemporary Commedia Workshop
Dates: August 5th, 2009 from 3:30-9:30pm; August 6th, 2009 from 3:30-6:30pm
Fee: $150 (includes the ‘Solo dell’Arte’ performance on August 6th at 8pm)
Experience Level: Appropriate for all levels
Location: LaGuardia Performing Arts Center, 31-10 Thompson Ave, LIC (7,E,V,R,G trains nearby)
Tickets for the workshop may be purchased through Brown Paper Tickets at http://www.brownpapertickets.
Teatro Punto makes theater where the actor is the author of the story. As the actor on stage is stripped of supports such as extended settings and a fixed script, he can become the author of a tragicomic show. He does this through movement, text, techniques and imagination. Carlos and Katrien’s main source of inspiration is Commedia dell'Arte. Employing their training, imagination, intellect and a great deal of hard work and experimentation they have taken Commedia to new heights. Their storytelling takes the masks into new territory. They have discovered ways to make the life within each mask not only amuse and engage the audience, but take them to the dark side. A theater form full of acting possibilities; it is precise and vulnerable, yet above all else it is alive. Previous U.S. workshops have been given at: Brown University, NYU, Wagner College, Sarah Lawrence, UMass, Trinity College, Tufts, and Williams & Mary.
The Workshop consists of:
• Movement analysis
• Physical transformation/metamorphoses
• From Tragedy to Comedy
• Musicality and timing
• Mask and archetypical characters
• Improvisation and scene composition - Canovaccio
• Study of interaction between actor and audience
‘Solo dell’Arte’ Performance
Date: August 6th, 2009 at 8:00pm
‘Solo dell’Arte’ is an introduction to the audience of one of the most ancient types of theatre, Commedia dell’Arte, and the presence of this Art into our days. In this show/conference there is only an empty space, masks, an actor without costumes and the audience. Carlos Garcia Estevez will perform a collection of stories under the theme of love (tragic love, infidel love, casual love). He will be aided by his own techniques, movements, gestures, texts, imagination and the spirit of performing for and with an audience. During the performance, the actor will present the historical and contemporary context of this type of theatre and he will explain to the audience some of the mechanisms of how this theatre is made (the metamorphosis of the actor, the use of the mask and the grommellot).
Monday, July 27, 2009
October 25-31, 2009
Retzhof Castle, Leitring bei Leibnitz
Actors of physical, dramatic, dance and musical theatres, dancers, choreographers, circus performers, directors.
The programme includes intensive training, lectures and discussions. The Lab is open to performers from different creative genres and techniques inspired by Physical Theatre as a bold, vibrant and multidimensional approach to contemporary theatre performance. Practical physical training is the core of the Lab programme. Participants will explore physicality as the key to form, style, atmosphere and emotional palette in contemporary performance. Practical sessions develop in the form of various exercises which progress from simple to compound. Gradually the group is proceeding to group improvisations and structures. Every day is setting advanced creative tasks, developing the preceding steps. Through the system of consecutive exercises the group is growing common language and trust, ability to collaborate and create together.
STRUCTURE OF THE DAY:
Each day begins with morning warm-up which combines breathing, movement and imagination. It will help participants to wake up and to prepare for the intensive practical process during the day.
Practical training. Part I. Training by method of improvisation.
Practical training. Part II. Structural Improvisation. From exercises to performance.
Practical training. Part III. Principles of Biomechanics. Meyerhold's etudes.
Lectures & Discussions: Performer's Physicality in the methods of Meyerhold, M.Chekhov and Stanislavsky.
The Lab will take place in Leitring bei Leibnitz, the beautiful town located within 30 min from Graz Thalerhof Airport, 2.5h from Vienna by car, 40 min from Graz by car, and 20 minutes from the Slovenian border. The public transportation to the venue is easy. The programme will take place in the historic castle of the 16th century. Accommodation and meals are organized for the group.
PROGRAM & REGISTRATION DETAILS:
Friday, June 26, 2009
Vaclav Havel, Czech playwright and former president, will direct his first movie based on his most recent play, 'Leaving'. His first new script in twenty years, the story is about a politician's adjustment to normal life after leaving politics. Sources predict his wife, Dagmar, for whom he wrote the script, will play the female lead. The play premiered in May 2008 at the Archa Theatre in Prague.
Thursday, June 25, 2009
Monday, June 15, 2009
The Madness & Arts Festival (MAF) is a reoccurring international and interdisciplinary manifestation about art and madness, which will be held in Haarlem, the Netherlands in 2010, after Toronto, Canada (2003) and Münster, Germany (2006). The festival focuses on the interaction between art and madness, through presentation of high quality art with an international appeal. MAF gives stage to different perspectives from people with and without a psychiatric background, artists, scientists and the public. With an ambitious and inspiring programme of nationally and internationally renowned artists and projects, MAF aims to bridge the gap between art and its traditional audience, and various aspects of psychiatry. MAF will be a compact, high quality festival with international appeal.
MAF will take place from September 24th until October 3rd, 2010.
Thursday, June 11, 2009
Tuesday, June 9, 2009
Wednesday, June 3, 2009
Tuesday, May 26, 2009
Monday, May 25, 2009
Oscar winning actor and Italian comedian Roberto Benigni will be coming to America with his one-man monologue based on Dante's 'Inferno'. Stopping in San Francisco and New York, 'TuttoDante' is Benigni's contemporary take on the classic text, mixed with off-the-cuff political jokes. He has been performing the show in Italy for the last three years to over a million people. Though known primarily as a clown, Benigni showcased his intellectual side. In each performance he recites a canto in Italian of the 'Inferno' from memory and provides detailed explanations of the history and poetry in English. Benigni still sees himself as more of a entertainer than scholar, and manages to slip in a bucket load of jokes about his nemesis, Silvio Berlusconi, the Italian prime minister, sending him to the deepest of Dante's depths. As Benigni says, “Only comedians can talk about death, life, God and Virgin Mary. If was a tragic actor, I couldn’t allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown — very much.”
Thursday, April 16, 2009
Tuesday, April 14, 2009
Tuesday, April 7, 2009
Monday, April 6, 2009
Sunday, April 5, 2009
Saturday, April 4, 2009
Friday, April 3, 2009
Wednesday, April 1, 2009
Tuesday, March 31, 2009
Sunday, March 29, 2009
Saturday, March 28, 2009
Thursday, March 26, 2009
Wednesday, March 25, 2009
Friday, March 20, 2009
Thursday, March 19, 2009
Wednesday, March 18, 2009
Tuesday, March 17, 2009
Sunday, March 15, 2009
July 7 to 26, 2009
“Les Éphémères”; Le Théâtre du Soleil (Ariane Mnouchkine) - France
“Boris Godunov”; Chekhov International Theater Festival (Declan Donnellan) - USA
“Villeggiatura”; Piccolo Teatro di Milano and Teatri Uniti - Italy
“Life and Fate”; Maly Drama Theater - Russia
“Kalkwerk”; Narodowy Stary Teatr - Poland
“Ivanov”; Katona Jozsef Theater - Hungary
“Peasant Opera”; Bela Pinter and Company - Hungary
Friday, March 13, 2009
Best Actor: Derek Jacobi for Twelfth Night (Donmar at Wyndham's)
Best Performance in a Supporting Role: Patrick Stewart for Hamlet (RSC at the Novello)
Best Company Performance: The Histories, directed by Michael Boyd (RSC at the Roundhouse
Best New Play: Black Watch by Gregory Burke (Barbican Theatre)
Best New Comedy: God of Carnage by Yasmina Reza, translated by Christopher Hampton (Gielgud)
Best Revival: The Histories, directed by Michael Boyd (RSC at the Roundhouse)
Best Entertainment: La Clique (Hippodrome)
Best New Musical: Jersey Boys --The Story Of Frankie Valli And The Four Seasons, book by Marshall Brickman & Rick Elice, music by Bob Gaudio, lyrics by Bob Crewe (Prince Edward)
Best Musical Revival: La Cage Aux Folles, music and lyrics by Jerry Herman, book by Harvey Fierstein, based on the play La Cage Aux Folles by Jean Poiret (Playhouse Theatre)
Best Actress in a Musical: Elena Roger for Piaf (Donmar Warehouse, then Vaudeville)
Best Actor in a Musical: Douglas Hodge for La Cage Aux Folles (Playhouse)
Best Performance in a Supporting Role in a Musical: Lesli Margherita for Zorro (Garrick)
Best Director: John Tiffany for Black Watch (Barbican Theatre)
Best Theatre Choreographer: Steven Hoggett for Black Watch (Barbican Theatre)
Best Lighting Design: The Chalk Garden designed by Paule Constable (Donmar Warehouse)
Best Set Design: August: Osage County designed by Todd Rosenthal (National's Lyttelton)
Best Costume Design: The Histories designed by Tom Piper and Emma Williams (RSC at Roundhouse)
Best Sound Design: Black Watch designed by Gareth Fry (Barbican Theatre)
Outstanding Achievement in an Affiliate Theatre: The Royal Court Theatre's production of The Pride (Jerwood Theatre Upstairs)
Thursday, March 12, 2009
Wednesday, March 11, 2009
Tuesday, March 10, 2009
Monday, March 9, 2009
:: The New Voice – Bola Agbaje – playwright (27)
:: The Honorary Brit – Gillian Anderson – actor (40)
:: The Visionary – Miriam Buether – set and costume designer (39)
:: The Radical – Caryl Churchill – playwright (70)
:: The Illuminator – Paule Constable – lighting designer (42)
:: The Queen Bee – Dame Judi Dench – actor (74)
:: The New Leading Lady – Michelle Dockery – actor (27)
:: The Mover – Maxine Doyle – choreographer and associate director, Punchdrunk (38)
:: The Super-Producer – Sonia Friedman – producer (43)
:: The Powerhouse – Sally Greene – impresario and producer (52)
:: The Transformer – Kathryn Hunter – actor and director (52)
:: The Casting Vote – Lisa Makin – casting agent and producer (43)
:: The Eternal Siren – Dame Helen Mirren – actor (63)
:: The Innovator – Katie Mitchell – director (44)
:: The Beauty-And-Brains – Rosamund Pike – actor (30)
:: The Breath Of Fresh Air – Emma Rice – artistic director, Kneehigh Theatre (41)
:: The Double Threat – Fiona Shaw – actor and director (50)
:: The Wunderkind – Polly Stenham – playwright (22)
:: The Songbird – Summer Strallen – musical theatre actor (24)
:: The Star Turn – Rachel Weisz – actor (38)
Sunday, March 8, 2009
Friday, March 6, 2009
Thursday, March 5, 2009
Wednesday, March 4, 2009
Session 1: June 28 - July 12, 2009
Session 2: July 14 - July 28, 2009
La MaMa Umbria International, Spoleto, Italy
The International Symposium for Directors, sponsored by La MaMa Umbria is a training program for professional directors, choreographers and actors. Internationally renowned theatre artists conduct workshops and lecture/demonstrations. During the Symposium, participants will travel to Umbrian towns such as Orvieto, Perugia or Assisi to get a taste of Umbrian art and culture. Performances at local arts festivals and community fairs are also included. In addition, participating directors may conduct their own workshops to share insights and techniques with their colleagues.
Participants will be exposed to a variety of theatrical perspectives during the Symposium, from instructors who will expand their sense of what is possible in the theatre. Directors attending the Symposium see how prominent artists on the international scene create their unique productions. The workshops are participatory, and it is expected that all attendees will engage actively in the processes of the various teaching artists.
Each year La MaMa invites renowned theatre artists to participate as teaching artists during the Symposium. This summer, we host the following artists:
Liz Diamond (USA)“The Word and the Actor”
Kama Ginkas (Russia)“Exploring Chekhov”
Takeshi Kawamura (Japan)“Between the Word and the Body”
Meredith Monk (USA)“Landscapes of Sound and Movement”
Daniel Banks (USA)“We the Griot – Performance in the Age of Hip Hop”
Romeo Castellucci (Italy)“The Eye and the Gaze”
Leigh Fondakowski (USA)“Moment Work”
Dimitris Papaioannou (Greece)“Spectacle and Emotion”
All artists are subject to change. For more information and registration form, visit: www.lamama.orgor call (212) 254-7572.
Tuesday, March 3, 2009
Monday, March 2, 2009
Friday, February 27, 2009
Thursday, February 26, 2009
Wednesday, February 25, 2009
Tuesday, February 24, 2009
Monday, February 23, 2009
“I grew up in a place called Alcobendas, where this was not a very realistic dream. And I, always on the night of the Academy Awards, I stay up to watch the show and I always felt that this was, this ceremony was a moment of unity for the world because art, in any form, is and has been and will always be our universal language and we should do everything we can, everything we can, to protect its survival.”
Sunday, February 22, 2009
Friday, February 20, 2009
Wednesday, February 18, 2009
-Advanced sales were up (39% purchased tickets more than one month in advance).
-Same day sales fell from 27% to 20%.
-Average theatergoer was 41.5 years old.
-Highest percentage of children/teens in 30 years (12.4%)
-Audiences paid an average of $27 more than face value for tickets.
-Total attendance was 12.27 million.
-Internet is the most popular way to buy tickets (40% sold online as opposed to 22% at box office and 10% by phone)
-Women made up 65.9% of the audiences.
-75% of audience were white.
-74% had college degrees.
-Median annual income was $148,000.
The data was compiled from surveys handed out at show. 14,000 were distributed and 7600 were returned.
Tuesday, February 17, 2009
Monday, February 16, 2009
Friday, February 13, 2009
The first is on Friday night, February 13th at 8:15pm when we will be presenting 'Around the World in 24 Minutes', which includes an edited video from our 'Around the World in 24 Hours' play festival and an interactive, online conversation with playwright Sigtryggur Magnason in Iceland. If you can't make this event in person, you can watch it online at uStream. Just click HERE.
On Saturday, February 14th at 1pm, Artistic Director Doug Howe will participate in a Theatre without Borders panel discussion with Susana Cook, Catherine Coray, and Saviana Stanescu entitled 'International Collaboration: Endangered Species, Flavor of the Month and/or Sustainable Future'. Visit here for the full schedule. The CUNY Grad Center is located at 365 Fifth Ave. at 34th St.
Thursday, February 12, 2009
1. Performances by various artists / groups
2. Forum Discussion: Eyes and Perspectives: The View an Artist Takes in Other Cultures.
We are looking for performances for our annual Performance Festival. If you have existing works or planning to develop works that fit the theme, do send us a write-up.
We are looking for performances based on the following:
1. Related to the theme The Wanderings of an Artist. (Each performance should only have a maximum of 2 performers)
2. Original work- Non-aesthetics based (no elaborated set, props and lights) - Non-English works accepted if there are subtitles
3. A direct response to the Festival Director's message. (please visit www.initiationinternational.com)
If your proposal is accepted, you will receive:
1. A letter of Invitation for your grant application.
2. Hotel accommodation up to 4 nights, with a small cash allowance.
3. Performance space and technical support.
Please note that you will have to manage your own support to travel to Singapore. Please also note a $100 deposit is required as deposit if your proposal is accepted (while be refunded upon arrival) together with a $50 registration fee.
We look forward to your proposals. Closing date – 15 April 2009
Please kindly bundle your proposal, with a short biography, and email them to email@example.com
More About Initiation International
'Initiation International' aims to offer an intimate platform for artistic discovery in an open and non-threatening atmosphere of artistic exchanges. Inspired by the concept of a performance panel, this festival seeks to draw together a variety of unique performances that respond to a collective theme. Artists may interpret the given theme from their individual perspectives and create an original performance. We also strongly encourage artists to share experiences on their journey in creating the work to the given theme. while audiences will also be encouraged to provide critical feedback to the artists' works in an atmosphere of openness and genuine support. In the same spirit, Initiation International also showcases some works-in-progress to open audiences.
Intimate theatre is the format of play, all performances will be carried out in the same venue with the performance space kept relatively bare, down to its bare essentials. Every evening, there will be three performances. The festival will take place over the course of 2 days. Each performance shall not exceed 60 minutes in length. This will allow more time for audiences and artists to engage in meaningful post-performance discussions. Do note that artists will also be given technical restrictions, such as a fixed lighting rig and minimal set-up logistics crew to support their performances. The festival aims to showcase performers' delivery of the work, hence the conscious decisions in eliminating the extraneousness of a complicated stage design.
Wednesday, February 11, 2009
Tuesday, February 10, 2009
Monday, February 9, 2009
Friday, February 6, 2009
Dublin Fringe Festival has long served as a spring-board for fresh new Irish and international artistic voices, as well as a home for risk-taking and cutting edge performance from more established artists. This year they are looking for artists across all disciplines to imagine Dublin with a new vision for the time we live in; to be brave, bold and uncompromising in their engagement with the cultural, social and physical landscape of the city and to once again invigorate, investigate, challenge, defy, excite and inspire its audience.
The Fringe will once again present a series of pre-application talks open to all interested parties on Tuesday 17 February. Topics that will be covered include: Online application process, supporting material requirements, financial deals offered by the festival and fundraising. Closing Deadline for applications is Friday 3 April at 6pm. More information and the link to our online application system can be found here or on their blog.